Every DTM race weekend demands more than spectacular racing: it requires reliable camera technology capable of capturing every moment with precision. High speeds, constant movement and challenging trackside conditions leave no room for compromise. Broadcast and cinema crews need equipment that is quick to deploy, easy to integrate and delivers stable, high-quality footage from the first shot.
For a race weekend in early July, the FoMa Antares stabilized remote head was mounted on an elevated truss system overlooking the circuit, providing a high-angle perspective of the action. Thanks to its compact design and fast setup, the system was assembled and ready for operation in a short amount of time. An essential advantage in productions where every minute on location counts.
Designed for professional broadcast and cinema applications, the FoMa Antares combines precise stabilization with smooth remote operation, allowing camera operators to capture dynamic motorsport footage with confidence. Its lightweight construction makes transport and installation straightforward, while its flexible mounting options enable deployment on cranes, towers, truss systems and other camera platforms. This versatility allows production teams to achieve creative camera angles without compromising reliability or workflow.
From transport and assembly to the final shot, the FoMa Antares is engineered to keep productions moving efficiently. By reducing setup time, adapting quickly to different rigging solutions and delivering stable images in demanding environments, it helps crews focus on what matters most: capturing exceptional footage when the action unfolds.
Special thanks to eurolight and TV SKYLINE.
